A Moment of Anger has a “little red-headed witch” facing off against the new Italian CEO of her employer. The backstory is Rachel is engaged to Chris, the helicopter pilot for the English firm that employs them both. A year ago Osiani Italia, a larger helicopter maker, bought out the company and Rachel did a kindness to the then Italian CEO, an older gentleman who came to seal the deal. She and the older man, who is the hero’s father, hit it off and when the whole firm is buzzing that Mr. Osiani is coming to gain closer relations with his English acquisition, Rachel is appalled to discover the new boss is Nick, not his dad.
Nick is very attracted to Rachel and manipulative. The rest of the story is Nick chasing Rachel as both of them slowly discover love.
Plot Synopsis – Click to Avoid Spoilers
Nick visually undresses Rachel when he meets her, he makes her uncomfortable and very close to reporting that Nick is sexually harassing her. Nick backs off a bit but makes it clear he wants Rachel in his bed and is going to get her. Rachel is having none of this; she is not sleeping with Chris and isn’t going to have an affair with anyone no matter how gorgeous.
Nick wants all the top echelon in the British firm to move to Italy for a year or two to get familiar with the Orsiani company and of course the secretaries should come too. Rachel is the private secretary for the English boss Bill and declines to come since she is marrying Chris in two months. Nick seems to think it’s perfectly reasonable for Rachel to delay her wedding and come to Italy for six months. Rachel gets testy and refuses to even consider it.
Nick offers Chris a great opportunity (for a single man, that is), a two-year contract in the Middle East piloting men around the oil fields. Chris is excited and expects Rachel to calmly accept postponing their wedding for two years; in fact he’s sulky when Rachel refuses and gives him back his ring.
Rachel knows exactly whom to blame for the entire thing, Nick, and he points out that Chris could have refused and is a bit insulting. Rachel hits him and Nick catches her and kisses her with passion. She wants to pay Nick back for breaking up her engagement and decides to use his attraction to thwart him.
Nick realizes exactly what Rachel thinks and points out that she’s just as attracted to him as he is to her and challenges her on her game, with the ultimate prize being she sleeps with him. The game is mostly in his head because Rachel has enough sense to know she’s not going to win playing with fire. On the other hand she really wants to pay him back for messing with Chris and her.
Everyone traipses off to Rome where the rest of the English contingent fall in love with the city, learn the language and make themselves at home. Nick is wise enough to back off from his Rachel campaign and she’s frustrated that she won’t have a chance to pay him back for interfering with Chris and also piqued by his inattention. She realizes she’s watching for him as he comes through the open plan office and turns her desk around to avoid him. Nick appreciates her strategy (NOT!). Rachel isn’t happy with the situation either, “she had not made one move to extract her revenge.”
Rachel enjoys Rome and feels less angry with Nick. She’s a pretty girl and the Italians in the office tell her to simply smile when the men driving by whistle or comment. One weekend she’s doing just that when Nick sees her and is furious, accuses her of trying to entice men. He takes her out for lunch, then buys her a rose. The next few days a delivery man brings her a new rose every day. On Saturday no rose comes and she’s disappointed, then Nick himself brings the rose and takes her to see the hillside land he bought to build a house on. She stumbles, he catches her and they are in each others arms, kissing and they nearly make love right there.
A couple days later Rachel is by Nick’s office when a lovely blonde lady arrives. Nick greets the lady with great affection and another executive who sees this tells her the lady is Stephanie, a widow who owns a light aircraft business, an Italian princess and Mr. Orsiani’s future wife. Rachel assumes “Mr. Orsiani” is Nick, that he intends to marry Stephanie and all he is doing with herself is trying to get her into bed, be his mistress. When the lady leaves Nick asks Rachel for a dinner date, she turns him down, makes it clear she isn’t interested in any game or any relationship, she is only an employee. Furious, Nick kicks her out of his office.
They next meet when Nick’s father invites Rachel to his family’s island home for the weekend. Nick and she spend a lot of time together and have fun in the water. Nick’s cousin Toni meets Rachel and they date a few times, even though Nick fiercely warns Toni off. Toni breaks it off with Rachel because he can see that she’s in love with Nick and he’s not playing monkey in the middle.
Rachel tries several times to make Nick see that she was angry but never intended games nor is she interested in an affair but he knows she is extremely attracted to him and is confident he will win. He offers to stop the game any time provided she sleeps with him.
Nick is getting increasingly frustrated with Rachel and obsessed with taking her to bed. One evening Rachel’s ex Chris visits Rachel and tries to get her back. Nick arrives, lets himself in with his own keys, acts as though he’s a frequent and welcome guest, in fact the concierge called him because Nick owns the building, pays the rent and implied Rachel is his mistress. Rachel is furious. They end up in bed but Nick backs off with a very strange look on his face. Rachel is still angry but now she is hurt, horribly hurt, because she believes Nick intends to marry Stephanie and stopped making love out of fidelity to her.
Rachel isn’t eating and she’s looking forward to going back to England because she will not be Nick’s bit on the side, the mistress he visits when his wife won’t miss him.
Next incident is a party to celebrate the company’s new helicopter. Nick flies in and his flying looks to the ignorant in the audience like stunts, but the knowledgeable know he’s in serious trouble, the helicopter has mechanical problems and it wants to fall, not land. He does make it down, spots Rachel who is terrified for him. She runs to the ladies room to compose herself and Nick waits for her outside the door. She apologizes for making her feelings so clear (she believes she has no right to panic on Nick’s behalf given Stephanie), they dance, he takes her to his home, they make love.
The next morning Nick teases Rachel a bit and is coming back to bed when the phone rings. “Stephanie! Sunday morning at ten o’clock is not my idea of a good time to discuss wedding arrangements! I had not the faintest idea that you were arriving today.” Nick tells Rachel he has to go out for an hour, possibly two, she is not to leave the flat. “I’ll be back as soon as I can and then we have the rest of the day to plan. I need to talk to you.”
Since Nick has never said he loves her, Rachel assumes he will ask her to be his mistress and leaves. She goes to her flat, gets her stuff, gets a flight to London, finds it’s too expensive to stay there and goes to a small town up north, gets a job with a solicitor. The lawyer wants references and Rachel doesn’t dare give him her boss at Orsiani Italia knowing that Nick would discover her location. She tells him to address it to Tevi, which is the famous Roman fountain.
The solicitor fires her when the letter comes back as undeliverable. It’s fall now, cold and rainy and Rachel knows she is pregnant. She trudges back to her flat worried and sad. Of course Nick is waiting for her. He is furious.
Nick shoves Rachel’s things into a suitcase and bundles her out the door to a lovely country inn that is blissfully warm and smells wonderfully like roast beef. He drags her upstairs to his room, takes off her shoes and sopping clothes, changes himself and they eat.
Nick wants to know why Rachel left him. He knows she loves him, knows she had given him her virginity when she had not given it even to her fiancé. “You are not a girl who becomes a mistress to anyone. Even with a fiancé and a wedding arranged, you were still innocent. But you gave yourself to me and the look was not merely one of passion. I knew wherever you were you belonged to me.”
Rachel tells him she knows he married Stephanie. “That is why you left me? You thought that I was about to marry and that was, even so, willing to take everything you gave me? Oh Rachel.” Nick explains Stephanie married his dad. Rachel gets a bit angry, “You let me believe…” Nick says he thought she was still playing the silly game and “Anything I have to do to keep you, I will always do.” Then he asks Rachel to marry him.
Rachel grew up believing her dad left because he found her mom unattractive when she was pregnant and tells Nick that she knows he won’t want her, and that “You only want me and that’s not going to be enough now.” Nick explains that he had been aware of her even before meeting, his dad pointed Rachel’s picture out to him and he found her fascinating but likely too tame. Once he realized Rachel was anything but tame he knew she was his. He discovered he loved her when they started to make love after her ex left and he suddenly saw Rachel as she is, but he didn’t realize she loved him until he nearly crashed.
A Moment of Anger ends with Rachel and Nick planning their future and making love. “Love had removed the violence, the anger, from their passion and in its place was a warm and certain knowledge that they would never be apart again.”
Why Does A A Moment of Anger Work?
I enjoy reading Harlequin Presents that have:
- Strong emotional connection between the main characters and to us, a story.
- Heroes that are or become genuinely in love with their heroines, even when the heroes act like jerks through part of the story.
- Heroines that have character, that have backbone, that are in love but not stupid, that know how to take care of themselves.
- Happy endings we can believe.
- Prefer virgin heroines as long as they aren’t constantly worrying whether they are desirable (looking at you, Penny Jordan) but that’s not a necessity.
- Heroes and heroines who have morals.
- No promiscuity. (Yes, the hero will usually have experience but it’s not with an endless parade of ladies.)
- Some physical scenes but nothing explicit or graphic. I’m not interested in pornography or voyeurism!
- Other minor characters who are believable, even if seen only briefly
- Romantic tension
- No caricature other men/other woman. It’s OK if the OW is a true horror but not if that is all she is.
- Good pacing
- Few or no endless internal monologues to convey heroine’s feelings
- Plot that uses dialogue and action and drives response
- Plots that do not rely on misunderstandings. There are always some misunderstandings but should not be major plot device.
- Reasonable angst.
A Moment of Anger hits all these. There is misunderstanding. Near the end Rachel thinks Nick married Stephanie and all he had claimed to want was an affair. This fits Nick’s statements and actions, so it didn’t feel jarring or contrived.
Overall
I really liked A Moment of Anger. The characters feel real, there are several minor characters – Rachel’s ex Chris, Nick’s dad and cousin Tony, Rachel’s boss Bill and latter boss solicitor. The physical scenes are intense without being graphic (which seems a lost art in recent Harlequin Presents) and the settings are vivid. We can feel the dank, miserable cottage moldering away in the gloomy, rainy day when Nick catches up with Rachel.
Patricia Wilson publishes in the category romance but her books are something above the run of the mill due to dialogue, plot, characters and setting. About the only thing that I found not to like is the thread of almost violence in Rachel and Nick’s early interactions. Author clears that up when both realize the other’s love. This doesn’t have much angst, so put on your to-be-read pile if you are in the mood for a real angst-fest.
5 Stars
I got my paperback copy from Thriftbooks and you can find copies on Amazon, eBay and other used book sites. As of May 2023 A Moment of Anger is not available in E format.
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